Wednesday, May 05, 2004
Gregory Maguire, Wicked
Wicked: The Life and Times of the Wicked Witch of the West
The title of this wonderful book should probably include a question mark--Wicked? Because that’s the question we’re meant to ask ourselves as we read this chronicle of the life of the Wicked Witch of the West. Was she really wicked? Or did we just catch her at her worst, last moment in The Wizard of Oz?
Beyond being compulsively readable, filled with moments of recognition as the Witch moves steadily toward an end we’ve already seen on film, this book tackles serious issues on many levels. The Witch’s father is a preacher, fighting to protect “unionism” from the new “pleasure faith” while also balancing it with the pagan tendencies and folklore of Oz culture. The presence of talking animals in Oz—remember the Cowardly Lion?—gives Maguire the makings of a civil rights struggle dedicated to fair treatment of these high-functioning beasts, as well as raising questions about the proper dividing line between man and animals and whether either has a soul. Maguire’s Oz is filled with political intrigue and romantic tensions, re-imagining the Yellow Brick Road as a tool in the Wizard’s assault on the freedoms of Munchkinland and the Good Witch of the North as a spoiled noblewoman, wooed by many, who started out as the Wicked Witch’s college roommate. The magical shoes, the flying monkeys, and even the Witch’s green skin all have fascinating explanations.
It is a measure of the book’s success that I want to watch the movie again with all this back story in mind. Maguire has used one classic to create another, and in doing so, he has amplified both.
The title of this wonderful book should probably include a question mark--Wicked? Because that’s the question we’re meant to ask ourselves as we read this chronicle of the life of the Wicked Witch of the West. Was she really wicked? Or did we just catch her at her worst, last moment in The Wizard of Oz?
Beyond being compulsively readable, filled with moments of recognition as the Witch moves steadily toward an end we’ve already seen on film, this book tackles serious issues on many levels. The Witch’s father is a preacher, fighting to protect “unionism” from the new “pleasure faith” while also balancing it with the pagan tendencies and folklore of Oz culture. The presence of talking animals in Oz—remember the Cowardly Lion?—gives Maguire the makings of a civil rights struggle dedicated to fair treatment of these high-functioning beasts, as well as raising questions about the proper dividing line between man and animals and whether either has a soul. Maguire’s Oz is filled with political intrigue and romantic tensions, re-imagining the Yellow Brick Road as a tool in the Wizard’s assault on the freedoms of Munchkinland and the Good Witch of the North as a spoiled noblewoman, wooed by many, who started out as the Wicked Witch’s college roommate. The magical shoes, the flying monkeys, and even the Witch’s green skin all have fascinating explanations.
It is a measure of the book’s success that I want to watch the movie again with all this back story in mind. Maguire has used one classic to create another, and in doing so, he has amplified both.
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